| picture data | |
| Title | Layla M. |
| Director | Mijke de Jong |
| Year | 2016 |
| Genre | movie, drama |
| Protagonists | [Nora El Koussour, Ilias Addab] |
| Rating |  |
Layla may have Moroccan roots, she is also a Amsterdam girl this time. Rebellious, not on her mouth cases, not likely in a corner of printing, even though its environment that it does try.
We see that for the first time on the football field, if they lijnrechter vlagt in a contest with her brother. The way in which they on the side is pushed, she experiences as racism. And let them know also.
A group of radical muslims plays a useful in on Layla’s anger, her loathing of injustice, and her personal search for identity and religious guidance. They take on in their midst as a sister who is taken seriously. Certainly by Abdel (Ilias Addab), with whom she had a relationship and wedding plans. Their love seems sincere, but in the meantime, disposes of them by her newly-lifestyle, more and more of her parents, her brother and her other friends, in a heart-rending way.
the Acting Nora El Koussour, that the title role plays, let the indomitable fortitude of her character not only of the screen splash, it shows in this worthy film is also Layla’s (misguided) idealism. All becomes clear how she herself has gone astray, if, as a jihad-bride in the Middle-East and especially subjection of her is expected.
Mijke de Jong was also in movies such as Fragile, Bluebird and Katia’s sister already see how meaningful small confrontations and events.
With a camera that her titelpersonage close to the skin, that moments now extra strong. In the meantime, will void The Childhood nuanced drama is not in the black-and-white thinking to which Layla himself guilty. That conclusive answers, the candidate fits.
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