“You speak often of people who tell you that they winter in wartime or het schnitzelparadijs have enjoyed,” he says. “But when the previews come people really emotional the auditorium and cling to me to say that they have never been so touched by a film. I feel almost ashamed.” In Venice and Toronto was Brimstone by the critics overwhelmingly positively received. “But these are the first comments I get from ordinary bioscoopgangers.”
There are also people who run away from the movie. “That was a man who was emotionally all could not handle. But his wife remained seated – who wanted to know how the story ended. He offered me a beer during the wait.” The director is very active on Twitter, where he comments on the film as a result of the various previews over the last week. “That is adorable and if I directly address I also usually leave a comment. I like it when people are genuinely interested.”
A frequently asked question is whether the horrific practices that Koolhoven in his western sketches on truth are inspired. “Brimstone is about what religion people can do and what influence in the nineteenth century, women had. The story is not true, but everything I show had really happened. So intense was that world, yes.”
Brimstone is starting from Thursday in Dutch cinemas to see it.
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