The three protagonists of Dreamgirls in the middle Berget Lewis in the role of Effie. © anp.
Review As Diana Ross from The Supremes in the limelight was brought by label boss Berry Gordy, so now presents producer Albert Verlinde the musical Dreamgirls Berget Lewis. Especially because it never quite broken through routinière (almost 43) will showcase the finest space in the musical theater production that tells the story of three young black girls on the road to showbiz fame in America in the 60s.
Dreamgirls
© anp. If Effie Lewis in the ambitious but naive trio the best voice, but she has the lead vocals still leave it to the better-looking Deena, put down by Pearl Jozefzoon. Degradation which leads to the departure of Effie, after which more solo gets the chance to excel the rest of the cast. But where there Acting-Lewis does succeed to finally show her talent as a comedienne she wakes singing often participate in the world championship vocal krachtpatsen. Impressed This makes the vocals of the other ‘dreamgirls’ of the (collected) men and the whole ensemble rather flat over. What does not help is the angular Dutch sung, interspersed with the smooth English lyrics
In the midst of a lot of solidity and goodness jumps in as sober as ingenious decor a supporting actor more clearly.: Clayton Peroti, as the older James Thunder Early rot appears every time a welcome seasoning. Every time he shows up, like a cross between macho frog soul James Brown and (remember this one?) The comic Donald Jones, things just lives again. Perhaps Verlinde the idea is to go. Another, more daring musical adventure with him
© anp. 
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